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  • Published: 3 July 2017
  • ISBN: 9780143770299
  • Imprint: RHNZ Vintage
  • Format: Hardback
  • Pages: 336
  • RRP: $40.00

Black Marks on the White Page




'A collection to be savoured.'

A stunning collection of Oceanic stories for the 21st century.

Stones move, whale bones rise out of the ground like cities, a man figures out how to raise seven daughters alone. Sometimes gods speak or we find ourselves in a not-too-distant future. Here are the glorious, painful, sharp and funny 21st century stories of Maori and Pasifika writers from all over the world. Vibrant, provocative and aesthetically exciting, these stories expand our sense of what is possible in Indigenous Oceanic writing.

Witi Ihimaera and Tina Makereti present the very best new and uncollected stories and novel excerpts, creating a talanoa, a conversation, where the stories do the talking. And because our commonalities are more stimulating than our differences, the anthology also includes guest work from an Aboriginal Australian writer, and several visual artists whose work speaks to similar kaupapa.

Join us as we deconstruct old theoretical maps and allow these fresh Black Marks on the White Page to expand our perception of the Pacific world.

  • Published: 3 July 2017
  • ISBN: 9780143770299
  • Imprint: RHNZ Vintage
  • Format: Hardback
  • Pages: 336
  • RRP: $40.00

About the authors

Witi Ihimaera Smiler

Witi Ihimaera Smiler is a prolific and accomplished New Zealand author whose body of work centring Māori culture and values has blazed a trail for Māori and indigenous writers around the world. He has published more than forty works for adults and children, including novels, memoir, non-fiction and short stories. Described by Metro magazine as ‘Part oracle, part memorialist,’ and ‘an inspired voice, weaving many stories together’, Ihimaera has also written for stage and screen – including libretti – edited books on the arts and culture and published a range of works for children. His best-known novel is The Whale Rider, which was made into an internationally successful film in 2002. His novel Nights in the Gardens of Spain was made into the feature film Kawa, White Lies was based on his novella Medicine Woman and his novel Bulibasha, King of the Gypsies inspired the 2016 feature film Mahana. His first book, Pounamu, Pounamu, has been continuously in print since its first publication in 1972. His works have received many awards over the years, including the Wattie Book of the Year and the Montana Book Award, and the Ockham Award for best non-fiction in 2016 for his first volume of memoir, Māori Boy. A second volume, Native Son, was published in 2019, the same year that Pūrākau, which he co-edited, was released: celebrating the work of other writers has also been an important part of Ihimaera’s focus. In 2020 he published his substantial nonfiction work, Navigating the Stars, and The Swimmer followed in 2026. He has also had careers in diplomacy, teaching, theatre, opera, film and television. He has received numerous awards for his contribution to literature. In 2004 he became a Distinguished Companion of the Order of New Zealand, and in 2009 he was awarded the inaugural Star of Oceania Award, University of Hawaii, a laureate award from the New Zealand Arts Foundation and the Toi Māori Tiketike Award. The Premio Ostana International Award was presented to him in Italy 2010. In 2017 France made him Chevalier de l'ordre des Arts et des Lettres and he received the New Zealand Prime Minister’s Award for Literary Achievement in Fiction. On receiving the supreme Māori arts award Te Tohutiketike a Te Waka Toi, Ihimaera said, ‘To be given Māoridom’s highest cultural award, well, it’s recognition of the iwi. Without them, I would have nothing to write about and there would be no Ihimaera. So this award is for all those ancestors who have made us all the people we are. It is also for the generations to come, to show them that even when you aren’t looking, destiny has a job for you to do.’

Tina Makereti

Tina Makereti writes novels, essays and short stories. The Imaginary Lives of James Poneke is her fourth book. Her short story, ‘Black Milk’, won the Pacific Regional Commonwealth Short Story Prize (2016). Her first novel, Where the Rekohu Bone Sings was longlisted for the Dublin Literary Award and won the 2014 Nga Kupu Ora Aotearoa Maori Book Award for Fiction, also won by her short story collection, Once Upon a Time in Aotearoa (Huia, 2011). In 2009 Tina was the recipient of the Royal Society of New Zealand Manhire Prize for Creative Science Writing (Non-fiction) and the Pikihuia Award for Best Short Story Written in English. She has presented her work all over New Zealand and in Frankfurt, Taipei, Jamaica and the UK. Makereti has a PhD Creative Writing from Victoria University and Tina teaches Creative Writing and Oceanic literatures at Massey University. She is of Ngati Tuwharetoa, Te Ati Awa, Ngati Rangatahi, Pakeha and, according to family stories, Moriori descent.

Praise for Black Marks on the White Page

Black Marks on the White Page showcases a multiplicity of voices and genres. It is, by turns, startling, beautiful, funny, challenging, forceful and delicate - a talanoa well worth joining.

Elizabeth Heritage, NZ Listener

This is a collection to be savoured, not read in one sitting. . . . The stories are interspersed with artworks from nine Pacific artists, which add a nice touch to the breathtaking stories. . . . this is an important collection of 21st century writing, showing a more sophisticated form and a coming of age . . . This is a hard-cover volume that can sit proudly next to foreign collections on any bookshelf, to be read over the years.

Linda Thompson, Bay of Plenty Times

When two of New Zealand’s finest writers of Maori descent combine their talents to select new writing from around the Pacific, there are high expectations for the results. Such hopes are amply fulfilled by this invigorating selection of mainly) new (mainly) prose, along with a small portfolio of visual artworks. . . . an engrossing read.

Paul Little, North and South

The editors have chosen writing ranging from 2007 to 2017, based on how they will help expand our world "aesthetically, politically, linguistically, and culturally". And this they do as each writer works with his or her own preoccupations, whether they be the dire contemporary state of the world, the role and appearance of art, or a fixation on languages, linguistics and semantics. . . . Like the title, these marks here inscribed upon the blank page fill in histories and storytelling from a multiplicity of fresh and uplifting perspectives.

Jessie Neilson, Otago Daily Times

In summary, every example of "story-telling" included in this anthology is more or less distinctive and fresh . . . it is a set of stories pushing against the boundaries of the dominant language, as if against the boundaries of the dominant culture, that makes this collection exceptional.

David Eggleton, NZ Books

Discover more

Article
Short story club – 26 July 2018

Read the story being discussed on Jesse Mulligan’s show on Radio New Zealand on 26 July 2018

Article
What's in a cover?

The symbolism of Black Marks on the White Page's jacket illustration.